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A review of the production Into The Woods by LAMDA at Edinburgh Fringe. I eagerly awaited to see this show but unfortunately was feeling ill and tired so had to leave after about 3 quarters the way through it. So my review is not the full review of the show. Lamda stands for London Academy Of Music & Art, often producing brilliant performers of the future.
The cast I saw is likely to be in theatre, film, TV productions of the future The show’s scenery and production values were high and the acting /singing superb. The standout performances were numerous, with each cast member bringing their fairy tale character to life with remarkable depth and nuance. The witch, in particular (Hollie Avery), was a force to be reckoned with, her powerful vocals and commanding stage presence captivating the audience from the moment she appeared. The musical direction was impeccable, with the ensemble harmonies soaring through the theatre and individual performances showcasing the incredible talent nurtured at LAMDA.
The choreography complemented the storytelling beautifully, adding an extra layer of magic to the already enchanting production. Standout performances for me were Anna Cornish and Anthony Lam.
Despite not seeing the final act, it was clear that this production of Into The Woods was a testament to LAMDA’s reputation for excellence. The seamless blend of comedy and poignancy, coupled with the cast’s evident passion and skill, made for a thoroughly engaging theatrical experience. It’s exciting to think that these young performers may soon grace the stages and screens of major productions.
Based on the talent displayed in this show, it’s safe to say that the future of British theatre is in very capable hands. While I couldn’t witness the show’s conclusion, the impact of what I did see lingered long after I left the theatre. The clever staging and costume design further enhanced the magical atmosphere, transporting the audience into the heart of the fairy tale forest. Each character’s costume was well thought out perfectly balancing traditional fairy tale elements with modern theatrical flair. The chemistry between the cast members was palpable, creating believable relationships that added depth to the intricate plot. Jack’s innocence and enthusiasm, Cinderella’s internal conflict, and the Baker and his wife’s determination were all portrayed with remarkable authenticity.
LAMDA’s production also succeeded in highlighting the show’s underlying themes of consequence and community, proving that this talented ensemble could handle both the light-hearted and more serious aspects of Sondheim’s complex work.
As I reluctantly left the theatre, I couldn’t help but feel a sense of anticipation for what these promising young actors will bring to the entertainment industry in the years to come. Their professionalism, talent, and evident passion for their craft suggest that LAMDA continues to be a breeding ground for exceptional performers. This production of Into The Woods at the Edinburgh Fringe serves as a shining example of the high caliber of work being produced by drama schools in the UK. It’s a must-see for anyone attending the Fringe, offering a glimpse into the bright future of British theatre and the remarkable talent being cultivated at institutions like LAMDA, this was an amateur production that displayed professional standards.
As I couldn’t see the entire show, it would be unfair to a leave a star rating but based on what I saw, a glorious 5 star!
Into the Woods | Musicals and Opera | Edinburgh Festival Fringe (edfringe.com)
