Tom Short is bringing one of the Fringe’s most unpredictable concepts to the Edinburgh Festival Fringe 2026, and if you like your comedy with a side of chaos, this one might just be right up your cobbled street (or slightly off it, depending on what the algorithm decides that night).
Tom Short is bringing one of the Fringe’s most unpredictable concepts to the Edinburgh Festival Fringe 2026, and if you like your comedy with a side of chaos, this one might just be right up your cobbled street (or slightly off it, depending on what the algorithm decides that night).
In I Asked ChatGPT to Write My Edinburgh Show, award-winning comedian and comedy lecturer Tom Short hands over the creative reins to artificial intelligence, using it live on stage to generate material, shape the structure, and steer the direction of the performance. The twist? The audience gets a say too, meaning no two nights will ever be the same, and there’s always the delicious possibility that it could go gloriously wrong.
The show blends stand-up, live creation, and audience interaction, all while poking at some bigger questions bubbling under the surface. What actually makes something funny? Can AI understand humour, or is it just guessing its way through punchlines? And in a world chasing clicks, likes, and viral moments, are we accidentally engineering the soul out of comedy?
Now then, from my little corner of the village, sat with a cuppa and my satchel half-open on the table, I can’t help but be a bit tickled by this one. Imagine trusting a machine with your punchlines… I can barely trust the sorting office when someone writes the postcode wonky. There’s something quite thrilling about it though — that sense that anything could happen, and probably will. It’s a bit like the Fringe itself, really. Controlled chaos, with a spotlight on it.
If I had a go doing it, knowing my luck, it’d send me off reviewing a mime show and I’d have nothing to report except dramatic eyebrow work.
Tom Short isn’t new to inventive ideas. Alongside performing across the UK and at the Fringe, he lectures in Comedy Writing and Performance and runs Tom Short’s Comedy Train, helping new comedians find their voice. This show feels like a natural extension of that curiosity — pushing boundaries, testing formats, and seeing what happens when you loosen your grip on control.
Part stand-up, part experiment, part existential wobble, this is one of those Fringe shows where the risk is the whole point. The jokes might land, they might not, but you’ll definitely be part of something that only exists in that exact moment.
Show details for I Asked ChatGPT to Write My Edinburgh Show Performer: Tom Short Venue: Hoots at Nicolson Square (Nic 4) Dates: 7th–31st August Time: 22:15 Duration: 60 minutes
Who Is Andrew “The Guvnor” of Theatre Village?
(As delivered by Grace Hatchell, 2nd Act Couriers, First Class & Slightly Nosy Service)
Now then… if you’ve spent any time wandering through Theatre Village, you’ll have felt it. That hum. That buzz. That sense that somewhere, behind the curtain, someone’s pulling the strings, brewing the tea, and making sure the spotlight actually turns on.
That, my lovely lot, would be Andrew.
Or as I’ve taken to calling him… The Guvnor.
Not in a scary, “don’t cross him” sort of way—no, no. More in a “quietly building an empire while everyone else is still reading the programme” kind of way.
I’ve seen him, you know. Not always in plain sight—he’s not one for centre stage—but always there. Watching. Tweaking. Thinking. Probably got about ten ideas bubbling away at once, and another five already halfway out the door.
Theatre Village didn’t just appear overnight, you see. It’s been stitched together bit by bit, like one of those proper handmade costumes—threaded with passion, a bit of cheek, and a genuine love for the stage. Not the flashy, red carpet side of theatre… but the real stuff. The fringe. The underdogs. The ones pouring their hearts out in tiny venues with dodgy lighting and big dreams.
That’s where Andrew’s eye is.
He’s got a knack for spotting something special before the crowd catches on. A show tucked away upstairs. A performer giving it everything. A story that deserves to be heard. And instead of just nodding along like the rest of us, he builds a whole blooming platform for it.
And let me tell you—this village? It’s not just for show. It’s growing. Expanding. Streets being built, doors opening, new voices moving in. He’s not just writing about theatre… he’s creating a place for it to live.
Bit clever, that.
Now, he won’t say it himself—far too modest—but there’s graft behind it. Late nights. Early mornings. Probably a fair few “what am I doing?” moments along the way (haven’t we all, eh?). But he keeps going. Keeps building. Keeps believing there’s room for more stories, more voices, more magic.
And I like that.
Because in a world where it’s easy to shout about the biggest shows with the biggest budgets, Andrew’s quietly making sure the smaller ones don’t get lost in the post.
(And trust me, as a postwoman, I take that very seriously.)
So if you ever find yourself wandering through Theatre Village, just remember—you might not see him straight away… but The Guvnor’s there. Somewhere between the lines, behind the scenes, keeping the whole place ticking along nicely.
And if you listen carefully… you might just hear the next big idea being scribbled down.
Now then—
I’ve got letters to deliver, gossip to gather, and probably a biscuit waiting for me somewhere.
See you round the Village.
— Grace