By Grace Hatchell, 2nd Act Couriers– — I’m writing this while sitting beside two suspiciously dramatic parcels...
Edinburgh Fringe 2026
Oi Fringe Industry, Don’t Let Talent Get Washed Away: Grace Hatchell Joins Gilded Balloon’s Call for Artist Support
Kathleen Hughes Twig
By Grace Hatchell, 2nd Act Couriers, writing this while sheltering beneath a theatre flyer, protecting my placard...
Came for the Cello, Stayed for the Existential Crisis: Delusions and Grandeur Returns to Edinburgh Fringe 2026
Credit Jeremy David Photography
By Grace Hatchell- I am writing this while parked beside a letterbox, wondering if she’s sophisticated enough...
By Grace Hatchell, 2nd Act Couriers– — writing this while balancing me delivery round, guarding a lukewarm...
Mooove, Purple Cow — I’ve Got 185 Underbelly Shows to Deliver
Credit: Michael Aiden
By Grace Hatchell, writing from somewhere near George Square, where I’ve had to swerve a bicycle, three...
By Grace Hatchell- currently pretending she’s in full control while standing in the wrong queue, holding three...
By Grace Hatchell Rise Above Performances brings A: to Edinburgh Festival Fringe 2026, an immersive audience-interactive production...
By Grace Hatchell Some shows arrive at the Edinburgh Fringe hoping to be discovered. Others come back...
Award-winning company Mochinosha / Book of Shadowz returns to the Edinburgh Fringe with Book of Shadows, a...
Toronto theatre company Ars Longa makes its Edinburgh Fringe debut with Luscinia, a Gothic folk-musical adaptation of...
By Grace Hatchell, reporting from a churchyard bench where I’ve just been judged by three pigeons and...
What Makes Amelia Hamilton One Of The Most Distinctive New Comedy Voices At The Fringe?
Amelia Hamilton
By Grace Hatchell, writing from a café where someone’s attempted spoken word poetry over the sound of...