
What, if anything, separates a medieval monk from a modern-day academic? According to Mary, the central figure in Me and My Year of Casual Monasticism, perhaps very little. This sharp, intelligent and refreshingly unconventional one-woman show explores that very question with a blend of historical commentary, personal confession, and sardonic wit.
Written and performed by Emily Knutsson, the show presents an autofictional account of her first year studying for a master’s degree at the University of Cambridge. Drawing upon the Rule of St Benedict—the foundational guide for monastic life—Knutsson translates these ancient teachings into a contemporary framework, using them as a lens through which to explore identity, sexuality, academic pressure, and recovery from trauma.
From the moment I received the press release, this production stood out for its striking visual identity and distinctive voice. That promise was delivered upon in full during the performance.
The staging is deceptively simple: a chaise longue, a few cups, a projector screen, and warm ambient lighting create the atmosphere of an intimate living room. The audience becomes a guest, welcomed into a confessional space where stories, secrets, and theological musings are shared freely. While most of the lighting was used effectively, one scene featured a particularly strong blue wash that felt slightly disconnected from the rest of the aesthetic. Nonetheless, the overall direction was thoughtful and effective.
Structurally, the show blends elements of stand-up, lecture, and spoken word. Knutsson is a charismatic performer, with an engaging delivery style that draws the audience in without pretension. Her handling of difficult subjects, including domestic violence, is measured and respectful, providing emotional depth without ever tipping into sentimentality.
The production would certainly benefit from a longer runtime. However, what is presented here is rich with originality, intelligence, and promise. Knutsson’s ambition to evolve the piece beyond Fringe is well-founded.
Me and My Year of Casual Monasticism is a rare blend of humour, history, and heart. It offers something genuinely new on the Fringe circuit: a play that feels as much like an academic salon as a personal reckoning. Theatre audiences will appreciate its intimacy, honesty, and the clarity with which it captures a young woman’s search for meaning amid the ruins of academia and faith.
A warm, intelligent, and unorthodox debut. Pull up a chair—you’ll be glad you did.
I am rating this show 5 stars – Unorthodox and unforgettable – Knutsson shines
https://www.edfringe.com/tickets/whats-on/me-and-my-year-of-casual-monasticism


